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Local Roots – European Connections. The Position of Nazarene Art in 19th-Century Europe

Editorial

Herucová, Angelika – Machalíková, Pavla

František Sequens: Decoration of the Churches of Ss Cyril and Methodius in Prague-Karlín and St Wenceslas in Prague-Smíchov

Klinerová, Adéla

Joseph Führich vs Hugo (II) Karl Eduard of Salm-Reifferscheidt: The Changing Relationship between Artist and Aristocratic Patron in Bohemia of the 1820s and 1830s

Tomášek, Petr

The Role of Nazarenism in the Renewal of Late Medieval Works: Johann Gruss the Elder’s Restoration of The Feast of the Rose Garlands by Albrecht Dürer

Kotková, Olga

A Memorial to the ‘Good Countess’ - The ‘Votive Painting Vargemont’ by Johann Evangelist Scheffer von Leonhardshoff

Lovecky, Katharina

The Interest in the Art of the Nazarenes in Slovakia

Herucová, Marta

The Heritage of the Nazarene tradition in Slovakia during the 2nd half of the 19th Century (J. B. Klemens and K. Švestka)

Beňová, Katarína

The Reception of the Nazarene Movement in France

Saint-Martin, Isabelle

Spanish Nazarenes Artists in Rome

Štěpánek, Pavel

Forum Historiae, 2017, Vol. 11, No. 2, ISSN 1337-6861

FORUM HISTORIAE 2/2017:
Local Roots – European Connections. The Position of Nazarene Art in 19th-Century Europe

EDITORS:
Pavla Machalíková – Angelika Herucová

ENGLISH LANGUAGE PROOFREADING:
Robin Cassling

TITLE IMAGE:
Friedrich Overbeck: Adoration of the Kings (1813, detail). Source: commons.wikimedia.org

GRAPHIC DESIGN:
Angelika Herucová

AUTHORS:
Katarína Beňová
Marta Herucová
Adéla Klinerová
Olga Kotková
Katharina Lovecky
Isabelle Saint Martin
Pavel Štěpánek
Petr Tomášek

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Journal

Local Roots – European Connections. The Position of Nazarene Art in 19th-Century Europe

Editorial

František Sequens: Decoration of the Churches of Ss Cyril and Methodius in Prague-Karlín and St Wenceslas in Prague-Smíchov

Joseph Führich vs Hugo (II) Karl Eduard of Salm-Reifferscheidt: The Changing Relationship between Artist and Aristocratic Patron in Bohemia of the 1820s and 1830s

The Role of Nazarenism in the Renewal of Late Medieval Works: Johann Gruss the Elder’s Restoration of The Feast of the Rose Garlands by Albrecht Dürer

A Memorial to the ‘Good Countess’ - The ‘Votive Painting Vargemont’ by Johann Evangelist Scheffer von Leonhardshoff

The Interest in the Art of the Nazarenes in Slovakia

The Heritage of the Nazarene tradition in Slovakia during the 2nd half of the 19th Century (J. B. Klemens and K. Švestka)

The Reception of the Nazarene Movement in France

Spanish Nazarenes Artists in Rome

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Local Roots – European Connections. The Position of Nazarene Art in 19th-Century Europe

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